A Graveyard Of Pianos - Detuned & Retuned | Erik D'Accords

A Graveyard Of Pianos - Detuned & Retuned

by Erik D'Accords

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DoubleRR If only pianos flew, then a skein of them would be perfect, if not a curious and unique sight!
Wonderful piano tones and drones, leading to inspired and relaxing times. Favorite track: A Skein Of Pianos.

Sean Powley Beautiful stuff, very evocative. Manages to be calm and melancholic but remains interesting all the way through

Tim Clare Excellent - thanks for the free download.

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Full Digital Discography

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Get all 26 Full Moon Scientist releases available on Bandcamp and save 15%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Une Nouvelle Escapade II, Uncertain Times, Une Nouvelle Escapade, Dubiana, Dark Ambient Remixes 2, Dark Ambient Remixes 1, Scratch & Sniff EP, Full Moon Scientist @ The Coffee Shop, and 18 more. , and , .

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1.	A Grave Yard Of Pianos (A Drone Symphony In Two Parts) 26:53	info
2.	A Skein Of Pianos 03:55	info
3.	An Autopsy Of Pianos (Full Moon Scientist Remix) 16:52	info
4.	1305 13:05	info

about

The original version of 'A Flock of Pianos' was produced by Erik D'Accords & Dubstr. and was featured on the first 'Amusiana' compilation 'There's A Bit Of Flim-Flam In This' (AMUS 001).

amusiana.bandcamp.com/album/theres-a-bit-of-flim-flam-in-this

For this special Bandcamp only release, the 3 minute original track has been turned into a haunting 27 minute epic, which also includes 3 additional mixes, taking the listener on a desolate journey before a tiny glimmer of hope appears for the last few seconds of 1305.

Howard Katzenberg has produced the beautifully dark main track and it's darker counterpart, the last track 1305.
Chris Dinner has updated the original version on track 2, while Steve Rowlands has included a brand new 'Full Moon Scientist' remix for the third track.

credits

released October 28, 2019

Simultaneously ethereal and caliginous, the drawn-out and detuned composition is transformed into a dense and somber dirge which crawls and unfurls around the listener like a twilit fog over seventeen magnificently macabre minutes.
The beatless ambience is periodically punctuated by the bassy resonance of dramatically low piano tones which effectively ground the otherwise transient and meandering melancholy mistful melody.
An exquisite rework of an excellent track.
Innerspace Labs August 2019.
innerspacelabs.wordpress.com

It was such a subtle trip I had to play it a few times.
I played it for a friend and he started going off on the tonal overlay of the piano sounds and getting into it technically. For me, someone who loves sonic landscapes, it’s a very different piece.
At once lovely but also quite dark. Anyone who says this is a snoozer is just looking for pumped up dance music!
Brent Zius USA August 2019.

Erik D'Accords
A Graveyard Of Pianos - Detuned & Retuned (60:12)
Digital only album in the Full Moon Scientist releases for the Recovered And Remastered series,
After three CDs that compiled classic and new gems from Steve Rowlands' Full Moon Scientist (in the 1990s paired with the late Kevin Walsh), these four tracks lasting a total of one hour are as many segments with sounds generated by the piano of an attributed environmental score to Steve and his neighbours
(there is Chris Dinner and also the elusive Howard Katzenberg).
They range from the 26 minutes of the initial A Grave Yard Of Pianos, subtitled Weatherallianly 'A Drone Symphony In Two Parts',
which cyclically alternates drones with repetitive piano notes with almost silences and then shadows, followed by the clear and concise 'A Skein Of Pianos', passing through to the 16 minutes of Steve Rowlands remix 'An Autopsy Of Pianos', finishing up with 13 minutes of the final track '1305' of pure drone. Great.
(8) Christian Zingales / Blow Up Magazine (April 2020)

FMS 007.

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about

Full Moon Scientist London, UK

Full Moon Scientist combined dub, breaks, ambient, sampledelica, and a very typical British humour.
Catching the attention of Leftfield's Neil Barnes & Paul Daley, who subsequently signed them to their legendary 'Hard Hands' label.
They recorded their debut 'The Men in White Coats', a few singles, and a mini album for Hard Hands, before moving to Botchit & Scarper.

amusiana.bandcamp.com ... more

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